Sunday, 30 August 2015
Vector illustration with digital collage.
In the composition of this image a game was used. The game has rules that define certain limitations.
The rationality of the predefined field of play is balanced by allowing decisions to be made intuitively. In this way the image is created in the intersection of the logical and the unknown.
Monday, 10 August 2015
Friday, 10 July 2015
Talismans are objects imbued with a metaphysical power intended to provide good luck or protection to the wearer. These magical properties were embedded into the item through the labor of copying sacred texts, and the careful design of ordered symbols inscribed upon its surface.
Talismanic shirts were worn by warriors underneath their armor, with their divine power protecting them in battle. Versions of talismanic shirts from Iran, Turkey, and India are held in museum collections around the world, and date back to 15th century.
Based on the pattern of talismanic shirts, this painting is a symbol of order and protection. Kosmein "to arrange, adorn," is related to the Greek word kosmos, it was used to describe both the arrangement of garments on the body, and of the stars and planets in the universe.
It will be shown as part of the group show Adornism at the Ballery Berlin, with an opening night on the 7th of August from 6pm.
The stars are just other bodies, like the sun.
Sunday, 17 May 2015
Acrylic and ink on board.
Continuing with experimentation in the studio, these compositions follow from the work shown in the previous post. Similar to the composition Blanc Forms these two paintings are devised within a square format, again with a single line that bends and folds over itself as it rebounds across the picture plane.
These mirrored compositions create a diptych with rotational symmetry. Two paintings that look at each other, where each painting is both left and right, and the total composition shifts deepening on their chosen position.
Tuesday, 21 April 2015
Acrylic and ink on board.
Continuing from drawings made recently, I have been experimenting in the studio on a new series of paintings. The compositions are devised within square formats, a single line that bends and folds over itself as it rebound around the picture plane.
My choices are informed by the approach of my digital drawings. The coloured line moves over a patterned background, that mimics natural forms like stone surfaces or wood grain.
These paintings are still experimental and I am intuitively following the decisions of paint and colour. I direct it, as it directs me.
Monday, 30 March 2015
Friday, 13 March 2015
Composition for iPhone IV, vector illustration with digital collage.
This composition follows from the work Paths I + II. The format of this image was made to the specifications of an iPhone 4 screen (640×960 326 ppi) and fits perfectly for either the lock screen or home screen backgrounds. By altering the hue and applying a soft focus filter, a ghostly transition can be made between the two images, like going through a warp pipe to an underground level in a Mario Bros. game.